Search results for " Egyptian blue"
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Gli affreschi provenienti dalle terme romane di Reggio Calabria. Dalla conoscenza al restauro
2023
The frescoes at marine thermae discovered in 1886 during the excavation of the small thermal complex dating between the 1th and 3rd century AD, and located on the seafront of Reggio Calabria, have been collected already collapsed. They are currently part of the permanent exhibition of the National Archaeological Museum of Reggio Calabria. This paper illustrates the results of the restoration intervention, carried out in the form of an educational activity in the context of an agreement signed between the MarRC and the University of Calabria, and the results of the diagnostic investigations carried out by the IPCF-CNR of Messina and the STEBICEF department of the University of Palermo.
The Contribution of Microchemical Analyses and Diagnostic Imaging to the Conservation and Identification of the Degraded Surfaces of Hellenistic-Roma…
2020
The Archaeological Museum of Palermo (Sicily) has recently presented the results of the restoration of three wall paintings from the House of the Masks of Solunto archaeological site. These significant paintings, dating back to the first century BCE, are the most significant examples of Pompeian style discovered in Sicily to date. The cycle of frescoes unearthed is the best preserved and most complete example of wall painting dating to the Republican Roman period in Sicily. This house was a luxurious private residence built on two floors and centred around a peristyle. This fresco cycle embellished the walls of a banquet room (oecus) discovered during an archaeological excavation carried ou…
Deepening Inside the Pictorial Layers of Etruscan Sarcophagus of Hasti Afunei: An Innovative Micro-Sampling Technique for Raman/SERS Analyses
2019
The Hasti Afunei sarcophagus is a large Etruscan urn, made up of two chalky alabaster monoliths. Dated from the last quarter of the third century BC, it was found in 1826 in the small town of Chiusi (Tuscany- Il Colle place) by a landowner, Pietro Bonci Casuccini, who made it part of his private collection. The noble owner&rsquo